Curatorial Management
We represent a small number of artists. Each has a programme of its own, written and kept by us, so that museums and serious collections can read the work properly.
Where a practice belongs, and who should see it first.
Texts and records that let a curator or an acquisitions committee understand the work.
Introductions to museums, foundations and biennials, which we prepare and attend.
Shows arranged with institutions and private venues.
Periods of research and work, chosen with the artist.
Authentication, provenance and identification for every work, kept from the studio onward.
No work is reproduced, in a book, a catalogue or online, without the artist knowing and agreeing in writing.
Decisions made with the coming decades in mind.
Curators and directors may ask us for a dossier.
Write to us